American PHOTO - January February 2010 by American PHOTO

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He has a new book due out in April and is in talks about another to follow. Plus, at an age when many would consider retirement, StreetPorter is entering the digital realm. Not one to follow convention, Street-Porter made an impulsive leap into photography. While studying architecture at Regent Street Polytechnic School of Architecture in London in the mid-’60s, he was awarded a student exchange scholarship in San Francisco. ” He documented this yearlong visit on color slides and 8mm movie film to create a mixed-media show titled Captain America.

I could shoot portraits, landscapes and everything with those two lenses. I really got to know them,” he says. USE A FLUID HEAD TO SUGGEST SPEED OR CREATE A MOOD With telephoto lenses, using slower shutter speeds while panning with a subject will impart a mood or a sense of speed to the action. Humphrey likes to use about 1/15 of a second for a painterly look and about 1/60 of a second to suggest speed. Use a fluid video tripod head like Humphrey’s Manfrotto for smooth, videolike panning. LEARN HOW TO INTERPRET WEATHER FORECASTS Use the Internet.

It’s like the old monkeys-typingShakespeare saying — eventually you’ll get something good. 1ɥ smooth, quick camera positioning IMAGES OF THE YEAR NATURE: AARON FEINBERG CLOSE-UP PERSONAL WORK: JULIA FULLERTON-BATTEN 39 IMAGES OF THE YEAR CLOSE-UP ƿ  ɥ ƨɥǒƐǓ For several years, Julia FullertonBatten has focused on the lives of teenage girls, portraying them in her edgy photographs as both awkward giants and expressionless automatons. In her latest series, In Between, she looks at the transition from girlhood to womanhood and the tumult that accompanies that stage.

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